Musical Style and Structure: Brahms’ Symphony No. 1 is structured in four movements, each contributing to a powerful and cohesive musical journey:

• I. Un poco sostenuto – Allegro: The symphony begins with a dramatic and intense introduction, marked by a slow, brooding theme in the strings and winds. This leads into the main allegro section, where Brahms develops a tense and urgent first theme, followed by a more lyrical second theme. The movement is characterized by its intricate development and dynamic contrasts, creating a sense of struggle and resolution

• II. Andante sostenuto: The second movement offers a calm and lyrical contrast to the stormy first movement. It features a serene melody that is passed between the strings and winds, with the solo violin and oboe adding delicate, expressive lines. This movement showcases Brahms’ gift for melody and his ability to create intimate, chamber-like textures within the symphonic form.

• III. Un poco allegretto e grazioso: The third movement is a gentle and graceful interlude, with a light, almost dance-like character. It is more modest in scale compared to the outer movements, providing a moment of relaxation and charm. The interplay between the different sections of the orchestra creates a delicate and transparent texture.

• IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro: The final movement begins with a slow and solemn introduction, gradually building in intensity. The famous horn call and the majestic main theme that follows are reminiscent of Beethoven’s Ode to Joy but are entirely Brahmsian in their depth and grandeur. The movement is a triumph of orchestral writing, culminating in a powerful and jubilant finale that brings the symphony to a heroic close.